Intensity: A Collaborative Autoethnography

• Computed from measured luminance Contrast=value difference • Different models based on luminance • Depends on spatial frequency Independent of hue Lightness Scales Lightness, brightness, luminance, and L* • Lightness is relative, brightness absolute • Absolute intensity is light power Luminance is perceived intensity • Luminance varies with wavelength • Variation defined by luminous efficiency functio

Morel_Moreau_Morella. The Metamorphoses of Adolfo Bioy Casares Invention in a (Re) Animating Universe

Adolfo Bioy Casares short novel The Invention of Morel (La invención de Morel, 1940) envisioned the wish of human beings to define themselves through technology, indeed to reanimate the human as a technological double in an environment that gradually becomes virtual. This article develops the relationships connecting The Invention of Morel with three animating forms: the phantasmagoria, the automaton, and the machine-environment, to stress the privileged association they make between invention and (re)animation. With this purpose, the paper examines key contributions to our understanding of simulation and automata in the field of animation theory, such as Alan Cholodenko s Speculations on the Animation Automaton , but also Joubert-Laurencin s La lettre volante. Quatre essais sur le cinema d animation, which directly addresses Bioy Casares story as a metaphor of animated cinema. Sigmund Freud s psychoanalytical approach to the field of aesthetics in The Uncanny , and subsequent theories like Masahiro Mori s The Uncanny Valley , are also taken into consideration.Lorenzo Hernández, MC. (2013). Morel_Moreau_Morella. The Metamorphoses of Adolfo Bioy Casares Invention in a (Re) Animating Universe. Animation: An interdisciplinary journal. 8(2):185-202. doi:10.1177/1746847713485535S18520282Buchan, S. (2011). The Quay Brothers. doi:10.5749/minnesota/9780816646586.001.0001Cholodenko, A. (2013). The Crypt, the Haunted House, of Cinema. Cultural Studies Review, 10(2), 99-113. doi:10.5130/csr.v10i2.3474Crafton, D. (1993). Before Mickey. doi:10.7208/chicago/9780226231020.001.000

When learning becomes a fetish: the pledge, turn and prestige of magic tricks

It is our contention that the process of higher education could be read as a commodity and in both Marxian and Freudian assumptions, a fetish. Instrumental in this discussion are; Marx’s theorising of the commodity fetish (1867) that deceives by conflating the distinction between use and exchange value, and Freud’s (1927) re-visiting of his theory of fetishism, where he considers the fetish in the context of dealing with separation and loss in everyday life. This paper highlights how the consequence of fetishised behaviour has led to violent outcomes, such as the policy decision to introduce a ‘Teaching Excellence Framework’ (TEF). We argue that the TEF may bring about the death of learning in HE and diminish the role of academic staff. Nevertheless, influenced by Winnicott, Cixous and Biesta, we offer a more hopeful ‘Teaching that is Good Enough Framework’

Challenging Masculinity in CSR Disclosures: Silencing of Women’s Voices in Tanzania’s Mining Industry

This paper presents a feminist analysis of corporate social responsibility (CSR) in a male-dominated industry within a developing country context. It seeks to raise awareness of the silencing of women’s voices in CSR reports produced by mining companies in Tanzania. Tanzania is one of the poorest countries in Africa, and women are often marginalised in employment and social policy considerations. Drawing on work by Hélène Cixous, a post-structuralist/radical feminist scholar, the paper challenges the masculinity of CSR discourses that have repeatedly masked the voices and concerns of ‘other’ marginalised social groups, notably women. Using interpretative ethnographic case studies, the paper provides much-needed empirical evidence to show how gender imbalances remain prevalent in the Tanzanian mining sector. This evidence draws attention to the dynamics faced by many women working in or living around mining areas in Tanzania. The paper argues that CSR, a discourse enmeshed with the patriarchal logic of the contemporary capitalist system, is entangled with tensions, class conflicts and struggles which need to be unpacked and acknowledged. The paper considers the possibility of policy reforms in order to promote gender balance in the Tanzanian mining sector and create a platform for women’s concerns to be voiced

Dream-hole

I draw on Derrida's limitless extension of the concept of writing to read Freud on dreams, and to explore relations between words, phenomenal or sensory experience, and life itself. I agree with Wordsworth, Freud, Derrida and Cixous that words are also things and argue that what linguistics recognizes as the sign can be marked, as a sculpted piece of stone might be, by the shaping violence of a force other than language. That opening remains traceable in the text. Dream writing names a lived experience of force: magical in its power, unlocatable in psychic terms, moving between languages, dependent on belief

Psychosocial and symbolic dimensions of the breast explored through a Visual Matrix

This article explores knowledge about the breast in the psychosocial interplay of lived experience, addressing a gap in empirical research on this highly gendered cultural trope and embodied organ. We present findings from a study that used a free-associative psychosocial method – the Visual Matrix – in order to stimulate, and capture expressions of, tacit aspects of the breast that have evaded discursive representation, as well as to generate understanding of relations between embodied and enculturated experience. Little research has been conducted on women’s affirmative experience of breasts, possibly because their bio-psycho-sociocultural complexity affords an onto-epistemological and empirical challenge. Our data revealed how an aesthetic of the grotesque in one matrix allowed the mainly female group to use humour as a “creative psychic defence” against culturally normative and idealised aspects of the breast. This was expressed through sensual symbolisations of breasted experience, affectively delivered with exuberance and joy. There was an emphasis on the breast’s potency and its potential for both abundant nurturance and potent “weaponisation”. By establishing this feminine poetic mode, Visual Matrix imagery symbolised life and death as tolerable, inseparable yet ambiguous dimensions of breasts, thereby resisting anxious splitting. The breast’s life-affirming qualities included the sensual, the visceral and the joyful – a materialsemiotic knowing. This was in marked contrast to a second matrix where associations were weighted towards the spectacular breast of an ocular-centric culture that privileges heteromasculine looking. This matrix reflected a more ambivalent and sometimes troubled response among participants. Reasons for the difference between the two matrices are discussed in terms of how they responded to the tension between embodied and enculturated experiences